https://onthisdateinphotography.com/2026/06/15/june-15-entwine/On This Date in Photography: by James Mcardleen2026-06-15T05:21:56+00:00June 15: EntwineNational Gallery of Victoria, London, woman, illusion, interpretation, story, narrative, grid, pattern, Athol Shmith, fashion, garment, Paul Cox, 1970s, Modern Photography, audience, contextualisation, The Age, poetic, Arnold Newman, black, teacher, melancholy, Gough Whitlam, Fine Art, innocence, large-format, status, Goethe, Janina Green, arrangement, critic, Roland Barthes, Scenes on the Death of Nature, Anne Ferran, architectural, New Zealand, archive, students, film, Mark Strizic, John Gollings, 2012, installation, nostalgia, detail, machinery, Capital, manipulated, Olive Cotton, Max Dupain, English, Centre for Contemporary Photography, sculpture, random, public collections, urban environment, construction, 1979, 1986, 1988, 1991, fleeting, 1989, Ralph Gibson, 1992, review, David Moore, Art Gallery of South Australia, Wolfgang Sievers, Bill Henson, Victorian College of the Arts, emotional, cold, West Germany, amateurs, mystery, artificial, 2000, map, Pat Brassington, Harry Callahan, Elliott Erwitt, comparison, memories, 1999, imprinted, Réunion, 1995, colour photographs, 'other', production, difference, arms-length, A.D. Coleman, irony, information, psychoanalyst, pornographic, encounter, dialogue, Birmingham, filming, catalogue, videographers, Monash University, ’Puissance', experience, fixation, displayed, quotation, hair, Americans, Julie Millowick, found photographs, utopian, enlarged, engaging, National Portrait Gallery, looking, suspicious, younger, references, Gael Newton, Phil Quirk, Carol Jerrems, Ian Lobb, Pinacotheca, Prahran, Les Gray, Dacre Stubbs, Merryle Johnson, Russell Hurley, Australian women, John Davis, fees, age, exploit, exercise, dimension, art historians, naïve, simultaneous, individuals, sees, spy, Polly Borland, 2021, detective, VCA, impenetrable, Kim Corbel, Deborah Ely, George Paton gallery, Australian Centre for Contemporary Art, young woman, glimpse, Australian National Gallery, Freda Freiberg, Greg Neville, anthropologists, Les Walkling, Beatrice Faust, Gary Catalano, free education, Wikipedia entry, optical, Bodies, Merryl Johnson, Paul Torcello, Carolyn Lewens, 000, Stuart Koop, Rozalind Drummond, Christine Adams, Reflex, William Kelly, Privileged, Derrick Lee, Chris Koller, Canberra Times, Peter Turner, Chris Long, dismissed, Cato, Gordon De’Lisle, Lake Bolac, Out There, Hope, Glenn Busch, assured, fallen, product, organised, Leah King-Smith, Bruce Postle, City Gallery, $62, 13 December 2023, 1980s alumni, 1982–84, 1985–86, 1986-88, 1987-89, 1990-91, 1997 Samstag Scholarship, 2012-2014, 240.00, 80s period, 80s student, 90s practitioners, 9–30 August 1989, a “beyond”, a dangerous place to live, A$30, abdication of authorial responsibility, acclaimed practitioner, accompanying video, accountant Ian Howell, across the water, aesthetic form, aged about twenty-seven, aggressor, airfares, alien territory, allusive, ambiguously realist, Andrea Paton, Ann E. Wulff, apparently disconnected, architectural objects, Art Australia, artists from other disciplines, Assistant Director, attended Prahran, Australian Centre for Photography director, Australian professionals, Australians’ work, ‘clues’, ‘having-turned-away’, ‘reading’ a patient, ‘second chance’, ’70s cohort, “Art into Action”, “artists who use photography”, “extremely beautiful colour pictures”, “inside” photographs, “non-space”, “order of things”, “sketchy and trivial”, “Stay with me here”, benighted world, beyond the frame, Birmingham Cinema, bloodied adolescents, blurry night shots, Brenda Marshall, Brian Brandt, bridge, built into, business of others, capitulation, carefully arranged images, casual staff, catalogue essay alongside, Caulfield campus, characterisation of reality, charismatic lecturers, cinematographers, city’s spaces, Claire Doherty, classical antiquity, closer inspection, colleagues, compositional frame, confrontation of power, conventional exhibition, cool antithesis, critic Beatrice Faust, critical attention, critical import, cryptically narrated, curated by Juliana Engberg, curated by Koop, darkly erotic vision, David Lancashire, Deakin, Deakin visual arts researchers, Debord, Debra Dawes, decipher, deeper aspect, described, designers, desire to see more, did not discourage, directorial mode, disruption in topography, distance between, distinct, DJ Simpson, Dora McPhee, editor of Creative Camera, Edward Harper, Elizabeth Gertzsakis, elliptically scientific, embrace of postmodernist traits, encourage, equal to, erases, everything extrinsic to the photograph, Excursions into the Postmodern: Five Melbourne Photographers, exhibition space, expanded, fabrications, February 1996, feminine possibilities, Feminist Narratives, Fergus Armstrong, finely striped, first solo show, five artists, Flows and Catchments, formative ‘alma mater’, Four Melbourne artists, frequent commentator, gaze back, George Paton Gallery archive, glowing review, Goldsmiths College, Goldsmiths’ ’98 alumni, Graham Little, Graham Marchant, gravitational pull, guest lectures, haphazardly pinned, Head of Department John Cato, hedges bets, Helen Musa, Hide and Seek, higher education, history of media, holograpaher Paula Dawson, humanely “empathetic”, hybridisation, idea of ‘lost childhood’, Ikon Gallery, Illusion of Plans, IMA/George Paton Gallery exchange exhibition, in retreat, inarticulate object, incoherent, industrial photographs, influence of a 1970s Prahran alumnus on a 1980s graduate, inside suggests an outside, insinuate, institutional critique, intention of the work, interminable, intrinsic formalism, invited, irrevocable sliding, isolate, Janina Green and Christopher Koller, Jo Holder, John Ruane, Juliana Engberg, Julie Gough, l Bryan Gracey, landmark, Larry Schwartz, Lauren Williamson, Leah MacKlnnon, lecturer at Deakin University, Lecturer in Photography, left out, leitmotif, Les Rabinowicz, live feed, local groups, local school, long-forgotten, looking away, looking forward, Louise Forthun, Louise Hubbard, Lyndal Jefferies, MA in Fine Art, manifest, masculinist subjectivity, May 1985, May 1998 group exhibition, mediate, melding, Merilee Bennett, Michael Powell, Michael Raedecker, Micky Allen, mid-1987 show, minor theorising with the camera, mixed reviews, Mnemosyne or Do Humans Dream in Negative Strips, modernist plan, moment of aversion, momentary pause, Monash University Gallery, monochrome beauties, much life experience, museum displays, music of antiquity, naively modeling, narcissistic impulse, Natalie King, naturalist Graham Pizzey, neoclassicist, New Acquisitions, new recognition of Australian photography as art, New Romantics, nothing left to chance, November 1995, Où Est La Femme?, off-site, Ole Mynster, Oliver Zwink, omnipresence, outline of an image, over six months, overstated, painter Zhong Chen, part-timers Yuri Sokol, Pat Holmes, pathological perception, Peeping Tom, peer in, Perry Fowler, Pete Turner, photo celebrities, photographic mediation, play the sleuth, play their game, play-work, poetic melancholy, poking, Post Graduate Diploma, Post-Modern Academy style, post-war sexuality, postmodern perception, postmodern photography, potential affect, powerful, Powis Square, prior experience in photography, professional peepers, profoundly blue, programme, random trace, real and fictional, recollection, reconstituted femininity, reducing her, remark, restrict aesthetics, retoucher/conservator Annette Hall, rivalling, Robert Imhoff, Robert Jacks, role of victim, rough neighbourhood in Birmingham, rules for living, Russian revolutionary period, Scholarship co-recipient, school corridor, school uniform, Scopic Territories, scriptwriter Bob Ellis, scrutinised, seen and read, sense of melancholy, series of dramas, shallow, sharpened, signpost, signs or ciphers, single draped figure, skyscraper, smiling forever, social control, Steve Lojewski, Steven Holland, studied gaze, study leave, Sue Wyers, sum of parts, supervisor, surreptitious peep, Tablet Gallery at the Tabernacle, the camera, the gaze silences the woman, theories, through the viewfinder, toned, Tony Saad, two showings, Type C Digital Print, Ulli Beier, unconvinced, undergraduate students, understood, unrelenting advance, Untitled 1983/84, urban domain, urban planners, urban progress, video screens, view of the city, viewer could see themselves, viewer’s attention, vitrines, voyeuristically tracking, Wayne Levy, Ways of Living, wearer’s body, Werner Herzog, wilful indifference, Zones of Practice: Embodiment and Creative Arts Researchhttps://onthisdateinphotography.com/wp-content/uploads/2026/06/image.jpeg?w=150