https://onthisdateinphotography.com/2026/10/17/october-17-charcoal/On This Date in Photography: by James Mcardleen2026-10-17T12:12:44+00:00October 17: Charcoalphotography, France, black and white, form, man, exhibition, ice, 1879, October 17, sensitivity, Prahran College of Advanced Education, shape, emulsion, Robert Frank, Masahisa Fukase, British, Hitler, Walter Benjamin, reference, aura, materiality, mask, aesthetic, Pictorialism, film, paper, installation, artist, industrial revolution, memory, charcoal, fog, dust, series, viewer, dark, 1981, 1966, developed, atmosphere, smog, UK, 1983, air, concentration, words, 1980, overlay, chemical, fire, revelatory, Mussolini, spectacular, Gasworks, Libya, sentiment, sinister, Ian Potter Museum of Art, discovery, despair, idea, eloquent, images, paper white, stark, future, brutal, Heide Museum of Modern Art, Prospect, 2020, manufacturer, complicit, coal mining, 2021, remote, anthropocene, hearse, photographic materials, John Nixon, truck, creature, sculpt, born, arguments, 2024, archives, controlled, extreme, bucket, choose, faceless, 2026, Medicine, 35mm film, Song of the Earth, University Art Gallery, unframed canvases, all-black, black grand piano, clay-caked, raw potatoes, hammer and sickle, Russian Constructivism, industrial work ethic, art and everyday life, John Dunkley-Smith, Dale Frank, Mike Parr, Imants Tillers, Paul Taylor, Art & Text, late 1970s, early 1980s, industrial aesthetic, symbolise, hope and despair, Nathan Lyons, Black Shirts, untouchable, Meta Ray-Bans, balaclava, eyeholes, cruel, indifference, Stygian, chauffeur, Global Heat, Black Saturday, Ash Wednesday, Red Tuesday, Roger Salloch, ‘Nightrise’, revolver, white is ethereal Vincent Jendly, One millimeter of black dirt and a veil of dead cows, COVID-era, port, Dunkirk, coal mud, dark figure, from the past, black molasses, filthy, transformed, incarnation, “man era”, visions, imminent collapse, apocalyptic allure, hypothetical, gigantic, fellow creatures, earthly scale, geological force, sediment, plastiglomerates, stratum, rock, microplastics, entire globe, President Obama, ships at sea, soot, reserved, molten light, glower, gun-metal, dungeon black, unpeopled., branded ‘MAN’, polluting, industrial site, 8.5 million tonnes of CO2, industrial emissions, Michelle Henning, professor in Photography and Media, University of Liverpool, remind, 2026 publication, A Dirty History of Photography: Chemistry, and Empire, University of Chicago Press, deep research, Ilford Limited, Frankenstein, total darkness, coal-based, extractive, smog-generating, fossil fuel capitalism, aniline dyes, jet-black, tar, Punch, September 1888, Beautiful Tar, 36 ‘exposures’, cartridge, short essays, ill-health, chemical industries, pollute, photo-chemistry humidity, atmospheric chemical contamination, changes in temperature, processes of production, ‘encapsulated’, sealed, air-conditioned laboratory, meteorological, photographic ‘fogging’, aerial fogs, entangled, office memo, 19.1.23, Mr.Crossley, ‘material turn’, photo theory, means, reading of images, reverie, impressionistic, misty modernisms, sandstorm of grain, The Work of Art in the Age of Mechanical Reproduction, poisonous gas, Ethiopianshttps://onthisdateinphotography.com/wp-content/uploads/2026/08/image-15.jpeg?w=150